Bridget Hammond January 30, 2021 Science Worksheet
The Science-Art Research Centres correction to the crucial optics key was published in a Science-Art book launched in Los Angeles in 1989 under the auspices of the Hollywood Thalian Mental Health Organisation. In 1991 the Nobel Prize in Physics was awarded to Peirre de Genes for his theories about liquid crystal optics. In the following year the vast new science and technology, predicted by the Science-Art Centres correction of da Vincis work, was discovered The principal discoverer, Professor Barry Ninham of the Australian National University, later to become the Italys National Chair of Chemistry, wrote that the Centres work encompassed a revolution of thought, as important to science and society as the Copernican and Newtonian revolutions.
During the past 15 years, science has developed so rapidly that it has given the Humanities no time to grasp the significance of the social ramifications of the rebirth of Fullers Platonic spiritual, or holographic, engineering principles from ancient Greece. Organised religious opposition to criticism of the understanding of the second law of thermodynamics from Christian schools, Colleges and Universities has been extremely thorough throughout the world. For example Professor F M Cornford, educated at St Pauls School and Trinity College, Cambridge, was made a Fellow in 1899, becoming the Laurence Professor of Ancient Philosophy in 1932, and was elected a Fellow of the British Academy in 1937. His grasp of the ancient Greek fractal science of life can be shown to be completely illogical, yet it is the foundation for well organised international academic study courses at the present time.
The Science-Art Centre had discovered that by using special 3-D optical glasses, holographic images emerge from within fractal computer generated artwork. The excitement within the art-work itself extends to the realisation that, over the centuries, certain paintings reveal the same phenomenon, created unconsciously by the artist, indicating the existence of an aspect of evolving creative consciousness associated with Platos spiritual optical engineering principles now linked to the new Fullerene life-science chemistry. The electromagnetic evolutionary information properties generated into existence by the liquid crystal optical functioning of the fertilised ovum are transmitted to the first bone created within the human embryo. From the Humanoid fossil record, each time that bone changes its Golden Mean patterning design, a new humanoid species emerges. It is currently altering its shape under the influence of the same physics forces responsible for seashell evolution, as was discovered by the Science-Art Research Centre of Australia during the 1980s. The sphenoid bone is in vibrational contact with the seashell design of the human cochlea.The design of Nipponites Mirabilis was to keep its owner upright in water, the cochlea design is to enable humans to balance so as to keep them upright on land.
What then of John Milton, I ask? John Milton... why, hes so boring and well, unread these days, you reply. Of course he is, but thats beside the point. What about Paradise Lost, I rejoin? What about it, you reply (and then in a very low voice... Ive never read it). The scene where Satan leaves hell and takes a cosmic tour before alighting on Earth and Paradise has been described by many critics as being the first instance of an author providing a cosmological view of the heavens. In fact, Milton scholars point to the fact that Milton, in the Aereopagitica claims to have visited Galileo Galilei at his home in Italy. These same critics also refer to the fact that Milton taught his nephews astronomy, using several texts that were considered progressive in their day. Still, most critics would fall on their pens (swords being so messy and difficult to come by these days), rather than admit to Paradise Lost being... gasp, science fiction.
This essay is the birth certificate of the 21st Century Renaissance. It shows how the life-science of the Classical Greek eras Humanities has been upgraded in order to bring balance into Western technological culture. Many philosophers have warned that the fate of human civilisation depends upon achieving that goal. The ancient Greek Parthenon represented a Greek life-science culture, symbolising concepts of political government long lost to modern Western science. The Ottoman military once stored gunpowder in the Parthenon and in1687 a Venetian mortar round blew the building into ruin. Recent restoration techniques using computers revealed that strange illusionary optical engineering principles had been used in the buildings construction. We know that they were associated with the mathematics of the Music of the Spheres that Pythagoras had brought back from the Egyptian Mystery Schools. We also know that Plato considered that any engineer who did not understand about spiritual optical engineering principles was a barbarian.
So, where are we? I think weve managed to muddle the waters somewhat. It appears that the element of science is needed for science fiction, but the precedents for science being contained in a fictional work, are somewhat troubling. Maybe in the next section, we should examine "modern" science fiction and try to determine how science plays a part in works of the twentieth and twenty-first centuries. "All these worlds are yours:" the Appeal of Science Fiction, Part IV Up till now, weve defined science fiction as part science, and part fiction. No real revolutionary concept there. Ive tried to show how earlier works could be considered science fiction, with mixed results. Ive also said that works of the twentieth century would be easier to classify as science fiction, because they incorporate more elements of leading-edge science into their writing.