Lakisha Fisher January 30, 2021 Science Worksheet
In 1979 the Science Unit of Australian National Television documented the work of the Science-Art Research Centre into its eight part series The Scientists-Profiles of Discovery. During that year, at the International Centre for Theoretical Physics in Trieste, Chinas most highly awarded physicist, Kun Huang, proposed a research plan that was put into operation by the Centre. Professor Huang was angry that Einstein and the framers of the 20th Century world-view were unable to discuss the Classical Greek life sciences in infinite biological energy terms. He proposed that by observing the evolutionary patterning changes to species designed upon ancient Greek Golden Mean geometry, it should be possible to deduce the nature of the life-force governing their evolution through space-time.
Julius Caesars colleague, the Historian Cicero, recorded during the 1st Century BCE, that this science was being taught throughout Italy and across to Turkey by teachers called saviours. He considered that such teaching challenged Roman political stability. During the 5th Century some 1000 years of fractal logic scrolls held in the Great Library of Alexandria were burned. The custodian of the library, the mathematician Hypatia, was brutally murdered by a Christain mob during the rule of Pope Cyril. Hypatias fractal logic life-science was condemned by St Augustine as the work of the Devil. In his The Decline and Fall of the Roman Empire, Edward Gibbon marked Hypatias murder as the beginning of the Dark Ages.
Then it hit me: Id actually have to seriously think about some sort of a method to select from the thousands of science fiction short stories that had been written in the past century. When I considered that the ideals of the foundation would have to be reflected in the stories which I selected, something near panic set in: science fiction was not part of the "cannon." "While I pondered weak and weary, over many a quaint and curious volume of forgotten lore," I reached a decision: Id first try to figure out what science fiction "was," and then Id develop a set of themes that related to the essence of science fiction. So, armed with this battle plan, I proceeded to read what several famous authors had to say about science fiction. This seemed simple enough, until I discovered that no two authors thought science fiction meant quite the same thing. Oh, great, thought I: "nevermore." (Sorry, Edgar, I couldnt resist).
Ive been fascinated with science fiction stories for as long as I can remember, although, I must confess, I never thought of science fiction as being mainstream literature. I, like many readers, pursued science fiction as a form of escapism, a way to keep up with speculation on recent scientific discoveries, or just a way to pass the time. It wasnt until I met with my thesis adviser to celebrate the approval of my paper that I had to think about science fiction in a new light. My adviser works for a large, well-known literary foundation that is considered to be very "canonical" in its tastes. When he asked me if I liked science fiction, and if I would be willing to select about one hundred stories for possible inclusion in an anthology that they were thinking about producing, I was somewhat surprised. When he told me it might lead to a paying gig, I became even more astounded. I went home that afternoon feeling very content: my paper had been approved, and I might get a paying job to select science fiction, of all things.
So, I took the easy way out, I selected four authors whose works appealed to me, and hoped that I could make selection based upon my familiarity with their works. My selection process resulted in four authors who have been writing science fiction for thirty years or more: Isaac Asimov, Robert Silverberg, Orson Scott Card, and Arthur C Clarke. As it turned out, two authors were considered "hard" science fiction writers, and two were considered "soft" science fiction writers. Well, I finally had a plan. And then the wheels fell off. I still needed some sort of selection criteria, or Id have to develop one as I read. So, I did what anyone in my place would have done. I started reading. I read, and read some more, and then... I read some more. Over three thousand pages and three hundred short stories, in fact. I was almost ready to make a stab at a selection process; almost, but not quite.
Having arrived at the destination of Professor Amy Edmondsons journey from ancient Egypt to modern times, in order to be educated about the importance of Buckminster Fullers geometrical understanding, we are able to grasp the stark reality of the title of his book Utopia or Oblivion. The objective of this essay, to construct the foundations of the Social Cradle to nurture the Florentine New Measurement of Humanity Renaissance, was derived from that book. The following explains the Science-Art Research Centre of Australias long and arduous struggle to help contribute towards the vital human survival research now being carried out under the auspices of the New Florentine Renaissance.
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